Since this is the last week of ArtPrize I better show you what I want to show you while you still have a chance to see it for yourself!
While I wasn't as impressed with the exhibit at the Frederik Meijer Gardens & Sculpture Park as I was in years past, there are still a few pieces worth discussing. I didn't know that photography was allowed (without flash) until I was on my way out so these photos are from the ArtPrize website.
This piece, Armonico CLXVII by Antonella Zazzera, was my very favorite. It is woven out of copper wire and it the size of it amazing. Something so large composed of small, thin strands. It has serious presence.
This one – Wallwave Vibration (anatomy of a diagram) by Loris Cecchini – was pretty awesome as well. I think it made the jury's short list if I remember right. I appreciate that it is all textural and that soft shadows become just as much a part of it as the material it was made of (polyester resub if you were curious).
Feather Child 1 by Lucy Glendinning was just plain disturbing. I can't forget it. I've never seen anything like it before.
This one – House by Osman Khan – also continues to haunt me. My children wanted to buy it sice it was for sale – I think they had visions of playing house – but I can't get it out of my mind for more disturbing reasons. The house is so stark and empty and lonely. And those lights remind me of some very un-home-like places, places that people might live but feel (and are) so much more institutional. There's a better image in this mlive slideshow.
I also feel this one – Die Hutte Brennt / The Shed is on Fire by Katrin Albrecht – deserves a mention. I was intrigued by the medium: bricks made of compressed clothing but not so excited about the installation itself.